After watching the full movie,I thought It have the shadow of"Lock, Stock and Two Smoking Barrels".Every small stories (or to say the small chapters) before the result is to foreshadow the background of all movie.If you have watched some movies like that,you will find it's interesting to receive a result that you can imagine but it byond imagination a little ,so you will like them.
葛民輝and張達(dá)明 are good actors.Especialy zdm is well know as actor and screenwriter.I like him for his kinds of talent.
As a movie in hongkong,it's very good.But the ininterest cann't be understand well by the people in other area .just like comic is only custom in the north of china.About one month ago,a 政協(xié)委員in guangzhou suggest that GZ TV must cancel the cantonese program .HE have freedom to say anything but i think he is fool ------or he is so smart that he show his stupid.
香港電影告訴我們:沒咩係不可思議噶!
點(diǎn)解殺手要咁主動自己打電話去call客噶?
搵食啫!
點(diǎn)解買兇殺人都有積分回贈計(jì)劃噶?
犯法?。?br>咁點(diǎn)解做做嚇替身演員都會無拉拉比人一槍fei死噶?
係咁嘎啦,好出奇?。?/p>
首先對于《買兇拍人》和彭浩翔這個被廣大媒體喻為“怪才”的導(dǎo)演不想從網(wǎng)上找些資料貼上去。我對他本人也不是很了解,只知道《伊莎貝拉》終成正果而作為他黑色幽默的經(jīng)典代表作《買兇拍人》在香港電影史中站有很重的地位。
對于港片基本類型相對比較集中,無論新派武俠還是暴力美學(xué),無論無厘頭還是沒有腦子只有奶子的片子。還想說一個人就是昆汀.塔倫蒂諾,當(dāng)他的那一步《低俗小說》擊敗了眾多大師而拿到了當(dāng)年戛納的大獎的時候,荒誕這種戲劇性沖突元素是在電影上面得到了一種認(rèn)可。而對于那些所謂黑色幽默對于一般人來說就是比較逗,沒有周星馳的無厘頭逗,就是一種在逗觀眾笑的同時用反諷之類的方式說一些所謂比較深刻的問題,但是一定要記住的就是所謂人性光輝或者深刻的社會問題是需要有一個特定的時代在一個特定的地點(diǎn)對于一些人而言的,這就是為什么《籃風(fēng)箏》后田壯壯所說的我的理解。這步黑色幽默的典范首先我不覺得他的黑色幽默的造詣可以超過它超現(xiàn)實(shí)和荒誕的結(jié)合
【買兇拍人】是夢想終究會發(fā)亮
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